It's the sixth month already. It's been an interesting year so far. I know I haven't been writing, and I honestly don't know how the first five months of the year has flown by so quickly!
I've gotten to go back to where I spent most of my life, answered prayer since I didn't merely want to go back for 'a holiday'. I got to go back with a team of five others and have an intense eight days of non-stop running around and doing a lot of listening and some talking, a bit of traveling. The happy news is that I will probably make another trip there sometime later this year...maybe?
I got to catch up with a childhood friend who's now a doctor, stayed with the family where my journey over there began (same room as all those years ago!). I got to eat the things I was craving, meet with a couple of girls on behalf of my sister.
I also got to go to a city I'd never been to before and have a taste of 'home' - a church plant by my church back in Lionland. They had mentioned something about a camp at the end of May leading into June which I did consider going back there for, but it never worked out. I was a little bit disappointed but...
...I am so thankful that God never shortchanges us.
Running concurrent with this camp that I was not at, I had an amazing eight days working alongside a cool gal tech from the US, with decent tools (that I can't afford to invest in now) and with a supply of materials and parts (that would cost a bomb to ship over here). During these eight days, I learnt much, achieved more than I thought I would, and got to witness and be part of a full girl-powered repair team of four at work. Also during these eight days, I had my opinion of Yamahas being reliable, durable flutes; and that other make not being great, reinforced.
I worked on a number of flutes, a lot of them needed pads replaced, parts bent back, corks replaced (trill key corks are the worst, especially with the silly 'design' on the make I don't recommend - there were too many of these and I eventually decided to stop caring about replacing these corks because time and also the kids don't use those keys anyway), but my biggest achievement of the entire time was the last flute I decided to make sure I get done - a flute I spent about seven hours collective on.
This darling is older than me, the production years for this model in particular being between 1979 and 1990. I had looked at the case and groaned inwardly, wondering what the battered, old case held. When I opened it up, lo and behold, it was an open-hole Yamaha flute! Yes, it looked like it had seen better days, but I decided then that I was going to make it pretty and restore whatever playability I could.
It was pretty much a full repad job, there were a couple of stuck keys that took a couple of days to get to working order again. The tenons were only slightly bent out of shape - that was easy enough to rectify with the mandrel and vice I had access to. Most of the bumpers had to be replaced, with the exception of the trill keys and the Eb key. There was lots of regulation work done, a lot of minor adjustments that added up. Alas, I didn't have time to shine it up.
At the end of my time with this OH Surprise, shoulders aching, neck stiff, eyes blurry, mind weary...it was all worth it. Perhaps I'll shine him up the next time.
I decided to leave him in his seemingly battered up case - a great reminder that I need to not judge the instrument by the case. I cleaned it out and oiled the hinges, slapped a label on it so the directors know not to assign this flute to a kid who won't bother taking care of it.
I leave you with my masterpiece thus far. The time was completely worth it.
Ain't it purty?



